Just back from the Deershed Festival in Topcliffe UK where I ran a 3 days Wrekshop for kids. The festival’s theme was Wilderwild [not sure where they got that from. I understood it as something to do with woods and some spooky friendly vibe you can get in nature]. I thought it would be a good opportunity to make an ELECTRIC WILDERTREE combining e-waste, the relentless energy of children with screwdrivers and a bit of expert technological creativity.
One hour before the attack
Wrekshop leftovers ready to go back to recycling facilities
Good old Combover Jo the purple hairy robot with an unfortunate hairstyle is roaming until September 24th in Humber Street Gallery Hull as part of States of Play, an exhibition organised by the Craft Council of England.
“States of Play is a new Crafts Council exhibition for Hull City of Culture 2017 which shows how play shapes our lives and the world around us.
Work by sixteen UK and international makers and designers turn upside down the idea that play is the preserve of children. Instead it is revealed as a creative, social and political force that infuses all areas of life.”
For the occasion Combover Jo has been updated to version 2.0, losing its hands but gaining an eye, and a much improved dream state. Confirming its crowd-pleaser status, the trickster robot moved among and played with a busy crowd on the opening night amongst incredulous gasps and loud laughs. The show runs until September 24th.
Photo by Tom Arran
Things I liked in States of Play include twisted 3D printer works Thingiverse gone GMO nightmare by Matthew Plummer Hernandez, rejection letter automated crows by Ting Tong Chang, blow-activated wind device by MischerTraxler Studio, the optical non-things by Glithero and the silver pineapples on the gallery’s front by Silo Studio. Check it out, Hull as City of Culture 2017 has lots going on!
The project was part of the Lead Creative Schools run by the Arts Council. Aimed at promoting a creative approach to teaching and life, the scheme allows a class to work with a creative practitioner for approximately 10 teaching days on a made to measure project. Check the scheme out, you can apply to take part in the next round if you are a school, teacher, or creative practitioner based in Wales.
Good vibes all along, ace dodgy robots, enthusiatic young makers, this was a fine adventure! Thanks to all involved.
Today’s view of the Llandudno promenade, North Wales.
I am here invited by Llawn04 Festival (Llawn = full in Welsh) in their own words:, “The Llandudno Art Weekend – LLAWN – a whole weekend of free events along the Promenade and across various venues and spaces in Llandudno. There’ll be performance, street-games, music, robot-making, dance, visual-art, film and the unexpected all inspired by this year’s theme of Hide/Seek.”
The festival is totally packed with an eclectic collection of engaging events, all free! Do come along with friends and families!
Bobby wearing Tech Head
For regulars to this patchy blog, it will be pretty obvious that I have something to do with the robot-making mentioned in Llawn’s promo blurb. I will run a free Wrekshop on Saturday and Sunday 10:30 to 18:00, open to all people above 7 years of age and not wearing flip flops.
Also on show a short performance for the opening of the festival. Usual suspects robotic ears, bird and Mofo have travelled in their cavernous suitcase and will stretch their circuits in Oriel Mostyn Gallery on Friday at 19:30.
And good old Combover Jo will have a chat with anyone walking down the tube in Oriel Mostyn for the next 3 weeks.
As part of The Imitation Game exhibition, I performed with a selection of my little robotic sidekicks in Manchester Art Gallery, Thursday 10th March at 7PM. The show was called:
“Paul Granjon explores the co-evolution of humans and machines with robotic installations such as I Am Robot, presented here, but also with small machines made especially for live performances.
On March 10th he will deliver a performance-lecture including a selection of hand-made machines and cyborg songs, as well as up-to-date views on humans and robots. A one-off chance for visitors to catch up with Granjon and his robotic sidekicks live!”
The gig went well, attended by a nice crowd, the machines almost did not glitch and I possibly sang less off-key than usual. Mofo and Combover Jo made a new young friend, who I wish will live to see a future where humans and friendly artificial creatures share the planet in a totally environmentally responsible and non-profit-driven fashion :>))
Last week the exhibition Eppur Si Muove opened in MUDAM museum, Luxemburg. Lots of good stuff in there. The exhibition is a combination of historical scientific and technical artefacts from Musée des Arts et Métiers in Paris and contemporary artworks related to similar techniques and science. Until February 2016.
The exhibition features many excellent works, including Tinguely’s Fata Morgana, Eliasson’s Trust Compass, Kowalski’s Arc en Ciel, Stelarc’s Third Hand and many more. My own Smartbot has been uncrated for living another segment of its limited existence on one square metre.
True Compass, Olafur Eliasson 2013
Arc en Ciel, Piotr Kowalski, 1992
Job le Renard Electronique, Albert Ducrocq 1950
Third Hand, Stelarc, 1980
Fata Morgana, Jean Tinguely, 1985
Smartbot in Eppur Si Muove
The MUDAM commissioned me and a team of artists, engineers and business students from Université de Lorraine, Nancy, France, to develop a robot guide for Eppur Si Muove. Guido the Robot Guide started its visits the day after the opening. There is a fair bit of work to be done before it can take over the human guides (phew) but Guido is popular with visitors, especially young ones. It talks about a selection of artworks and inventions from a robotic perspective, only in French for the moment. Two engineering students are working on Guido’s navigation and telepresence until end August.
Field HQ in MUDAM, July 2015
Engineering students Mehdi Romain and 2 Guidos
How many laptops does it take to program a Guido?
Fine-Art student Alix, Nao motions expert
Guido’s first visit
Patrick Hénaff, main collaborator on project Guido
I was invited by Blast (Bournemouth laboratory for arts science and technology) to run a Wrekshop as part of their guest artists workshops seasons. In good company there, after Anna Dumitriu and Brandon Ballangée. I had been thinking for a while about how to boost the Wrekshop format (informed deconstruction and creative reconstruction of e-waste). I finally found the time to build a Wrekshop controller box, a sort of general purpose programmable device with easy connection and built-in functionalities. More details here.
The Wrekshop was attended by a gender-balanced group of mostly artists. They all-but-one built functional (if not useful) items to be connected to the controller. The results will be included in the final exhibition of the Blast projects alongside all the other things that were built. This should be an interesting show, planned for June.
“The Man|Machine workshops will concentrate on the creation of robots as works of art. The workshops are meant to enhance interdisciplinary attitudes among young artists, engineers and designers. They open to all audiences, with a special focus on students of art academies and technical universities from Poland and Norway. They will be lead by three robotic artists. The participants will form interdisciplinary teams, each of which shall create at least one robot under the supervision of a chosen artist.”
We worked for 6 days in a technopark in Gdynia and created a thing out of arduinos and Polish electronic waste. The students called it “Sasza – the love machine’. It has heart that moves and beats, a mouth made of felt that comes to kiss people who touch Sasza’a hands, and two excitable vibrating pets. Sasza will be exhibited in May in Laznia Centre for Contemporary Arts, Gdansk, then in Oslo in September.