This is the original in German, “Wir sind die roboter”. A nice bit of vintage pop video by Kraftwerk. Love the LED ties, still geeky cool 40 years on!!
Boston Dynamics gets into the groove with this video of their Spot Mini quadruped, including some anthropomorphic robosexy moves that might tickle some public.
Another Spot Mini video, this one got more than 5 million hits since February. It is more in the Boston Dynamics tradition with a Skynet-like machine behaviour and robot abuse moments. 16000+ comments, largely about the themes mentioned above.
After making a doodlebot the participants learn how to use a Microbit and include it in their design.
Amazingly free workshop where you get to take your doodlebot and Microbit home (also includes a free lunch)!
Another one should happen in spring 2019, watch this space, workshops organised by the Arts and Education Network Wales
The exhibition comprises a nice selection of robotic artworks by Carolin Liebl and Nicolas Schmid-Pfähler, Mari Velonaki, Petra Gemeinboeck and Rob Saunders, Robotlab, David Bowen as well as my good old friend Combover Jo, speaking Spanish for the occasion. The exhibition runs until 16 September 2018.
Introduction by the curators Rosa Casado and Mike Brooks: “The exhibition brings together a selection of major and influential contemporary artworks from within the fields of social robotics, bio electronics and artificial intelligence, that will together inhabit Azkuna Zentroa’s gallery, to create an evolving ecology of interactive and adaptably performative machines. With the artists who have worked with us over the past year to realise this collective of works, we have focused on how these strangely familiar yet extraordinary robots – through their behaviours, and their endeavours to adapt and function within their environment – might both reflect and respond to our own choices and experiences. Perhaps our meetings with them might open new perspectives onto the things we ourselves choose to do and not do, to make and not make happen, as together we navigate and shape the shared spaces we live in.”
Nice day in Bilbao, Spain, a preparation trip for the Prototipoak exhibition who commissioned a new robotic installation featuring Mudbots – robots de barro.
Collected mud today in the Zorrozaure island, that used to be a very active industrial hub. Heavy metal doped bacteria…
December 2017. The Garage contemporary arts centre invited me to wrek Russian e-waste with local participants and build some post-apocalypse trees as part of their 8th Art Experiment season. This year the theme was Laboratories of Earthly Survival. Curator Snejana Kratseva says:
“Each winter, Garage transforms its galleries into an experimental laboratory for art. Visitors of all ages are invited to participate in hands-on experiences with artists, as well as innovative creative collaborations between peers. Art Experiment is the flagship initiative of Garage Education and Public Programs and attracts students, parents, local residents, and Moscow visitors.
This year will be the eighth annual interactive initiative, focusing on science art and survival ethics. It will consist of hands-on experiments in “hacking” life sciences and equipping participants with skills in agricultural, biological, genetic as well as robo engineering, preparing kids and adults for an imaginary future after the world ended, cultivating a future generation of home-grown brand of “garage scientists” who will be able to not only to generate new inventions with low-fi materials but do so evaluating one’s ethical values with every new discovery.”
I knew there was little hope to get some exotic soviet era e-waste, and I was right. We got lots of Hewlett-Packard PCs, a crate of early 2000s Panasonic cameras and various other familiar consumer electronics items.
Other artists in the show were Anastasia Potemkina with an hydroponics installation for growing resilient, apocalypse resistant plants such as nettles, and the collective Where Dogs Run who had 20 odd live chicks providing the data for a vintage slide show and a great-looking electronic sculpture based on Dante’s inferno.
Art Experiment, Laboratories of Earthly Survival ran from December 19th 2017 to January 8th 2018.
I found this photo while tidying some drawers. These are two friends in robot costumes for a no-budget sci-fi pilot I shot in 1993 called Euronutrifood. They are supposed to be evil slave robots. Thanks again and respect to the ghosts in the machine: Raphaëlle Paupert-Borne and Matthieu Demouzon.
The robot fans readers will know about Boston Dynamics‘ Spot Mini, a pretty amazing quadruped robot I mentioned a while ago. On 19th July 2017, an upgraded version was introduced to the clients of Boston Dynamics’ new owner, Softbank Japan. Spot has been given an “arm”, that looks as much as a neck and jaws as it does an arm.
These characteristics would make Spot Mini an ideal candidate for the Coy-B Wild Robot experiment that’s been haunting me fo the past ten years, with highs and lows. For reasons of reliability, cost and battery usage, I did not think of Coy-B as a legged robot. Yet, something agile and uncanny like Spot Mini would be very good for the job!
The demo shows a robotic creature whose abilities are, if not quite at the level of those demonstrated by the coyote that inspired Coy-B, fluid and fast enough for a very engaging real-time interaction with a human. Loaded with a suitable set of teeth and a wild AI program of course.
When will it be available at the robot shop around the corner?
Good old Combover Jo the purple hairy robot with an unfortunate hairstyle is roaming until September 24th in Humber Street Gallery Hull as part of States of Play, an exhibition organised by the Craft Council of England.
“States of Play is a new Crafts Council exhibition for Hull City of Culture 2017 which shows how play shapes our lives and the world around us.
Work by sixteen UK and international makers and designers turn upside down the idea that play is the preserve of children. Instead it is revealed as a creative, social and political force that infuses all areas of life.”
For the occasion Combover Jo has been updated to version 2.0, losing its hands but gaining an eye, and a much improved dream state. Confirming its crowd-pleaser status, the trickster robot moved among and played with a busy crowd on the opening night amongst incredulous gasps and loud laughs. The show runs until September 24th.
Things I liked in States of Play include twisted 3D printer works Thingiverse gone GMO nightmare by Matthew Plummer Hernandez, rejection letter automated crows by Ting Tong Chang, blow-activated wind device by MischerTraxler Studio, the optical non-things by Glithero and the silver pineapples on the gallery’s front by Silo Studio. Check it out, Hull as City of Culture 2017 has lots going on!
Combover Jo is the moving part of the installation Am I Robot, originally commissioned for The Imitation Game exhibition in Manchester Art Gallery. The exhibition was inspired by Alan Turing’s seminal paper Computing Machinery and Intelligence.
The project was part of the Lead Creative Schools run by the Arts Council. Aimed at promoting a creative approach to teaching and life, the scheme allows a class to work with a creative practitioner for approximately 10 teaching days on a made to measure project. Check the scheme out, you can apply to take part in the next round if you are a school, teacher, or creative practitioner based in Wales.
Good vibes all along, ace dodgy robots, enthusiatic young makers, this was a fine adventure! Thanks to all involved.