The Coy-B project (in progress) involves a robot designed for a performance art experiment in human-robot interaction loosely based on Joseph Beuys’ I Like America and America Likes Me (1974) where the German artist shared a gallery space in New York for several days with a wild coyote (photo top left, credit Caroline Tisdall).
Coy-B will feature in a series of durational performances for an autonomous mobile robot and a human, where the robot will take the role occupied by the coyote in Beuys’ piece. Diametrically opposed to the coyote who symbolised a natural instinctual dimension, the Coy-B robot is a representative of contemporary techno-scientific achievements, a fully artificial creature.
Coy-B’s ancestor is the Biting Machine, a simple mobile machine with teeth created in collaboration with Japanese artist Kanta Horio in 2008. Since then a more advanced prototype called Toothless was built, fitted with an on-board Linux computer and a Kinect sensor.
After presenting at the TAROS conference in August 2013, I met Grzegorz Cielniak, a robotic scientist from Lincoln University’s Centre for Autonomous Systems. He was interested in a collaborative development of the project. We were shorlisted for a Leverhulme Research Grant, but unfortunately our application did not make the final selection in 2015. Since then, Wild Robot Coy-B is in the projects freezer, waithing for the big thaw.