FabCre8 Micro Grant exhibition

FabCre8 is a research group of Cardiff School of Art and Design, focusing on creative technologies and digital fabrication. Severla micro-grants were allocated to members of the group in 2016-17 for research and development. The exhibition features work by Ingrid Murphy, Jon Pigott, Aidan Taylor, myself and other members of staff.

I am showing two Mudbots that were developed as a direct application of Power of the Mud, my FabCre8 experiments with microbial fuel cells. Also on display are four recently made Insect Buzz objects.

 

The sounding, wearable objects are to be used in marches and events in support of an ecological society. The Insect Buzz prototypes are being developed as part of the EASTN-DC European research project. Early versions were tested in Extinction Rebellion and Strike for Climate protests in Cardiff.

 

Strike for Climate Cardiff 20 September 2019

 

Extinction Rebellion Summer Unrest July 2019

Global Climate Strike

Extinction Rebellion Festival

Going to Extinction Rebellion Wales’ Rebel Rising Festival, Borth 13th to 15th September.

 

“Extinction Rebellion’s biggest ever action is coming. In the weeks building up to it the rebels of the UK are gathering to get trained, get inspired and get ready.

Deershed Festival Wrekshop 2019

The good people of the Deershed have invited me again for supervising the execution of several hundred kilos of obsolete consumer electronics by several hundred children (12 at a time maximum). The operation is called a Wrekshop and takes place in the Science Tent of the family friendly Deershed Festival 10 in Topcliffe North Yorkshire UK from 26th to 28th July.

 

 

In the Science Tent this year for the first time: Sam Battle, of youtube fame as Look Mum No Computer, is the inventor of the Furby Organ, the Flamethrowing Henry Hoover and he plays a giant analog synth in his lab. I am looking forward to meet this interesting man and his creations!

 

RIXC Art Science Festival 2019

RIXC is a Media Art centre based in Riga Latvia. They have been running an ambitious and experimental media art programme since 2000. This year the RIXC Festival features the UN/GREEN exhibition and the conference Open Fields 2019: UN/GREEN: NATURALLY ARTIFICIAL INTELLIGENCES

I will present on 6th July a talk at the conference with the catchy title: What to make [techno-] art about in the age of ecological collapse?…

 

Video above: Pond Battery by Rasa Smite and Raitis Smits, 2015

Smit and Smits, curators of the UN/GREEN exhibition, have been making several installations using microbial fuel cells. I am interested in hearing more about the work, as I experimented with similarly sticky technology in collaboration with Michka Melo in the Power of the Mud and Mudbots projects.

AI has been delayed

A quick note on a recent post by AI and robotics expert Rodney Brooks, from his blog largely focused on misconceptions about AI and its imminent takeover. The post dated May 17th 2019 is titled AGI has been delayed (A-rtificial G-eneral I-ntelligence). Brooks looks into the state of the art technology of autonomous cars and, informed by these observations, predicts that AGI, an artificial intelligence with the same versatility and adaptability as a human intelligence will not occur before 2300.

 

 

Brooks writes a short paragraph about the dangers of AI that rings very true with some of my current concerns:

“what does [the fact that autonomous cars are not to be around for another few decades]  say about predictions that AGI is just around the corner? And what does it say about it being an existential threat to humanity any time soon. We have plenty of existential threats to humanity lining up to bash us in the short term, including climate change, plastics in the oceans, and a demographic inversion. If AGI is a long way off then we can not say anything sensible today about what promises or threats it might provide as we need to completely re-engineer our world long before it shows up, and if when it does show up it will be in a world that we can not yet predict.”

 

 

Western Flag

Western Flag (Spindletop, Texas), John Gerrard 2017

One of my favourite artworks of recent years…

In a Channel 4 interview Gerrard describes oil as “a dynamic that allowed for a very particular change in society, allowed for hyper-mobility, changes in food and agriculture. Much of what we think of as ‘real’ is a petroleum reality. Heat, comfort, mobility, it all comes from petroleum.”

« Older Entries